NAGUAL

๐ŸŒฌ๏ธ moved by the wind ๐ŸŒ€

Choose a language:ย  ๐Ÿ‡ฌ๐Ÿ‡ง๐Ÿ‘‡ / ๐Ÿ‡ซ๐Ÿ‡ท / ๐Ÿ‡ฎ๐Ÿ‡น / ๐Ÿ‡ฉ๐Ÿ‡ช / ๐Ÿ‡ช๐Ÿ‡ธ/ ๐Ÿ‡ต๐Ÿ‡น

  • A piece of new circus and dance, with an aerial structure and 2 trapezes.

Nagual invites us on a journey to a universe out of time. A body in constant transformation expresses the strength and fragility of nature, which goes through cycles of life and death, but always finds a way to bloom again and fly to the highest clouds.
A multidisciplinary, poetic, and provocative show, with the focus placed on the encounter of the performer with the space, the public, and the power of the wind, which makes everything move.

On tour since 2018, more than 60 festivals and events in European and Latin American countries. More than 200 shows for all audiences in open air spaces.

Photos ๐Ÿ‘‡

Physical and aerial theater
– theater without words / only visual
– Work length: 30 minutes (street festival) 45 min (theatres)

– Directed and Performed by Adriano Cangemi ๐Ÿ‡ฆ๐Ÿ‡ท/๐Ÿ‡ฎ๐Ÿ‡น
– Created within the Master in Physical Theater at Accademia Teatro Dimitri ๐Ÿ‡จ๐Ÿ‡ญ
– With the help of SUPSI and Pars Stiftung ๐Ÿ‡จ๐Ÿ‡ญ

Special Price ๐Ÿ† in Bewegter-wind Festival 2018, Dรถrnberg ๐Ÿ‡ฉ๐Ÿ‡ช
Administration: Kyrielle Creation ๐Ÿ‡ซ๐Ÿ‡ท
Based in Rabastens๐Ÿ“in the South of France ๐Ÿ‡ซ๐Ÿ‡ท

Technical needs ๐Ÿ‘‡

Adaptable for Public spaces, Circus tents, and Theaters. To play in outdoor spaces, we have 2 different aerial structures:

1- For the Swinging Trapeze

We use an aerial structure of ย 7 meters high, with 6 anchor points. The anchor points have to be nailed into the floor, can be stakes directly to the ground, or secured / anchored to 6 structural weights of 500 kgs each one.

– Total size: 10 x 10 m, height 8 m.
– The installation of the structure requires the help of 4 people.
โณSet Up : 90 min. / Set Down: 90 min.

2- Tripod for the Fixe Trapeze

Structure without anchor points. Autonomy installation of the structure.
– Required space: 7 x 7 m, height 6 m.
โณSet Up : 30 min. / Set Down: 30 min.

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